Rest In Piss

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277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
actual-ironman-tonystark
electrificata

Wine is exactly like omegaverse fanfiction

electrificata

I was GOING to say. That when you read a wine menu and see something like "notes of leather and wet stone" you think "did an insane person write this its grapes" but after youve read about wine and growing regions and the effect of oak barrels on aging and tasted a bunch of stuff and given it some thought you find yourself taking a sip of french syrah and thinking "mmm little bit of leather on the finish there" and all of a sudden that shits not crazy anymore. Youve been cooked in the soup. Youve been living in the monkey house.

With omegaverse fanfic. You -

electrificata

You get the idea. Do the work for me. Please

electrificata

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Sorry tanuki fucker 91. I will be clearer. You get coated in the slick

electrificata

image

i am jiggling a credit card in the door crack. life is a rich tapestry come take my hand we will weave it together.

actual-ironman-tonystark
eponymous-rose

A little thing I'm also really appreciating in this rewatch of TNG is something that seems to have all but disappeared in the age of tightly plotted, entirely serialized eight-episode miniseries TV: little slice-of-life moments that don't serve any driving plot purpose except to flesh out the world a little bit.

The scene with Picard's hairdresser earnestly telling him how he should better have handled diplomatic relations with the Romulans doesn't serve a deep narrative purpose in the sense of echoing the themes of the episode or foreshadowing some important moment with that hairdresser. It's there to share a little picture of the world - yes, there are still hairdressers in the future, yes, there's still awkward small-talk with said hairdressers. There's also the nice little reminder in all these domestic scenes that normal life is happening aboard the Enterprise, families and all, which adds to the sense of danger when the ship's in peril and paints the moments of war and conflict as uncomfortable juxtapositions. It's not there to serve the plot, it's there to build the world. And the characters! Picard's mostly-polite demurs, the reveal that Riker has been 100% humoring this guy like "oh man, we should've thought of that, you're so right". There's no reason to include it beyond reveling in the world.

I really miss that about a lot of modern TV - we get these needle-sharp hard dives through a world, coherent and concise and often quite lovely, but trying to take in the scope of the world around that plot is like watching out the window of a fast-moving train: you're getting nothing more than vague impressions at a remove. It's the difference between a guided tour of a museum and a self-guided tour: sometimes, at some museums, you just want to meander around a bit at your own pace and let it wash over you.

Given the choice, I'll almost always fall deeper in love with a show that's criticized for "filler" or "monster of the week" because I know it'll give its characters and its universe time to grow. That's what drew me to TV in the first place - I adore movies, but there's only so much you can do with character and world in 2-3 hours. Lately a lot of TV seems to be seen as a rather long movie with the odd break where you get up to make popcorn midway through. I think there's something unique about the format of television that's being lost in this attempt to emulate the structure of a movie, in the same way that some novels feel like they might as well just have been novellas or short stories. It's not just a longer version of the same thing. It has the potential to be something entirely different.

Give me the bloated 20-odd-episode seasons of the 90s and 00s, where characters grew and changed slowly, by inches, and we had the time to change along with them. I love the new stuff, don't get me wrong, but I sure miss that specific brand of mess.

hummingbird-hooligan
neil-gaiman

Lower residual payments mean fewer actors earn the $26,470 per year needed to qualify for SAG-AFTRA's health insurance coverage, said actor Michael Spellman. The union said about 14% of its 160,000 members currently meet that threshold.

memecucker

"It's gotten to the point where I think a lot of people can't believe it if they get a residual for $25," O'Brien said. "They're so used to opening those envelopes and it's 30 cents."


O'Brien, who has appeared on dozens of shows, from "Grey's Anatomy" to "Pretty Little Liars," shared images of residual checks from more than two decades ago worth $47.49, $87.77 and $216.25. Others, from the past few years, amounted to $1.63, 43 cents and 1 cent.


Really important info for anyone thinking this is a “rich people strike”